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ARTCYP Τέχνη στην Κύπρο, και μια μηχανή που σχεδιάζει English

Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Επόμενη πλάκα

Αναμένεται η AC-1921. 22 Oct, 22:00 UTC

Ο κατάλογος κρατά 921 πλάκες από 1000 δυνατές.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Δεκαπέντε πλάκες την ημέρα, και οι δώδεκα ανάμεσα στις δέκα το βράδυ και τις τέσσερις το πρωί, όταν τίποτα άλλο εδώ δεν χρειάζεται τη μηχανή. Στις χίλιες το δωμάτιο γεμίζει, και κάθε νέα αποσύρει την παλαιότερη από όσες κόπηκαν. Οι σαράντα πρώτες μένουν στη θέση τους.

On titles, palettes, and what neither of them claims. Δες την πιο πρόσφατη.

Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge.

Showing 40 of 184, page 2 of 5.

Reading of Rain on Limestone, generative plate from seed 3775862655Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3775862655 in the Akamas Thyme palette. © 2026 artcyp.com

Reading of Rain on Limestone

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Second Skouriotissa, generative plate from seed 546417340Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 546417340 in the Mesaoria Ochre palette. © 2026 artcyp.com

Second Skouriotissa

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Study for the Green Line, generative plate from seed 1190430444Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1190430444 in the Salt Lake palette. © 2026 artcyp.com

Study for the Green Line

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Study for the Salt Crust, generative plate from seed 1387045015Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1387045015 in the Buffer Grey palette. © 2026 artcyp.com

Study for the Salt Crust

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.

After Skouriotissa, generative plate from seed 3348653416Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3348653416 in the Carob palette. © 2026 artcyp.com

After Skouriotissa

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Second Copper Spoil, generative plate from seed 786285319Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 786285319 in the Salt Lake palette. © 2026 artcyp.com

Second Copper Spoil

Τίποτα δεν απορρίφθηκε στον δρόμο, γιατί τίποτα δεν εξετάστηκε.

Crossing at Rain on Limestone, generative plate from seed 1470654175Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1470654175 in the Akamas Thyme palette. © 2026 artcyp.com

Crossing at Rain on Limestone

Ο κανόνας δεν ξέρει ότι τελείωσε.

Study for the Green Line, generative plate from seed 2440853714Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2440853714 in the Carob palette. © 2026 artcyp.com

Study for the Green Line

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.

Untitled (Varosha), generative plate from seed 2144399750Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2144399750 in the Buffer Grey palette. © 2026 artcyp.com

Untitled (Varosha)

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Model of Six Terraces, generative plate from seed 2237014352Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2237014352 in the Troodos Pine palette. © 2026 artcyp.com

Model of Six Terraces

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.

Approach to Two Registrations, generative plate from seed 1395568424Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1395568424 in the Mesaoria Ochre palette. © 2026 artcyp.com

Approach to Two Registrations

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Untitled (the August Reservoir), generative plate from seed 2942293587Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2942293587 in the Buffer Grey palette. © 2026 artcyp.com

Untitled (the August Reservoir)

Δεν συντέθηκε. Επιτράπηκε.

Approach to Copper Spoil, generative plate from seed 1475545317Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1475545317 in the Kyrenia Blue palette. © 2026 artcyp.com

Approach to Copper Spoil

Δεν συντέθηκε. Επιτράπηκε.

Evidence of Copper Spoil, generative plate from seed 1913243131Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1913243131 in the Levantine Light palette. © 2026 artcyp.com

Evidence of Copper Spoil

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Evidence of a Held Breath, generative plate from seed 1037584513Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1037584513 in the Mesaoria Ochre palette. © 2026 artcyp.com

Evidence of a Held Breath

Κάθε γραμμή είχε λόγο, και κανένας λόγος δεν ήταν το γούστο.

Survey of Copper Spoil, generative plate from seed 1530474895Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1530474895 in the Levantine Light palette. © 2026 artcyp.com

Survey of Copper Spoil

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

Reading of an Empty Frequency, generative plate from seed 4122607171Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 4122607171 in the Troodos Pine palette. © 2026 artcyp.com

Reading of an Empty Frequency

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Late Varosha, generative plate from seed 4016269863Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 4016269863 in the Levantine Light palette. © 2026 artcyp.com

Late Varosha

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Reading of a Dry Cistern, generative plate from seed 74750898Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 74750898 in the Akamas Thyme palette. © 2026 artcyp.com

Reading of a Dry Cistern

Δεν φτιάχτηκε για σένα, ούτε για κανέναν, ούτε επίτηδες.

Reading of Rain on Limestone, generative plate from seed 857612764Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 857612764 in the Buffer Grey palette. © 2026 artcyp.com

Reading of Rain on Limestone

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.

Late the Venetian Wall, generative plate from seed 2878635533Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2878635533 in the Kypros Copper palette. © 2026 artcyp.com

Late the Venetian Wall

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.

Reading of Standing Water, generative plate from seed 1254996551Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1254996551 in the Kyrenia Blue palette. © 2026 artcyp.com

Reading of Standing Water

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.

Survey of the Salt Crust, generative plate from seed 3113382390Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3113382390 in the Kyrenia Blue palette. © 2026 artcyp.com

Survey of the Salt Crust

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.

Approach to the Salt Crust, generative plate from seed 347694619Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 347694619 in the Buffer Grey palette. © 2026 artcyp.com

Approach to the Salt Crust

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.

Reading of Skouriotissa, generative plate from seed 3955626772Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3955626772 in the Kypros Copper palette. © 2026 artcyp.com

Reading of Skouriotissa

Ο κανόνας δεν ξέρει ότι τελείωσε.

Second Two Registrations, generative plate from seed 4027569714Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 4027569714 in the Mesaoria Ochre palette. © 2026 artcyp.com

Second Two Registrations

Αυτή είναι η μόνη εκδοχή. Ποτέ δεν υπήρξαν άλλες.

Evidence of the August Reservoir, generative plate from seed 426491085Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 426491085 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of the August Reservoir

Το σχέδιο υπάρχει όσο το κοιτάς.

Model of a Dry Cistern, generative plate from seed 350872707Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 350872707 in the Buffer Grey palette. © 2026 artcyp.com

Model of a Dry Cistern

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Approach to a Dry Cistern, generative plate from seed 662359176Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 662359176 in the Levantine Light palette. © 2026 artcyp.com

Approach to a Dry Cistern

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Late a Dropped Frame, generative plate from seed 1199598172Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1199598172 in the Salt Lake palette. © 2026 artcyp.com

Late a Dropped Frame

Η πυκνότητα είναι μέτρημα. Η ισορροπία είναι σύμπτωση του μετρήματος.

Crossing at a Held Breath, generative plate from seed 1009255437Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1009255437 in the Kypros Copper palette. © 2026 artcyp.com

Crossing at a Held Breath

Το σχέδιο υπάρχει όσο το κοιτάς.

Untitled (the Green Line), generative plate from seed 1874281283Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1874281283 in the Carob palette. © 2026 artcyp.com

Untitled (the Green Line)

Αυτό δεν πήρε κανένα απόγευμα.

Provisional a Dropped Frame, generative plate from seed 1846415889Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1846415889 in the Salt Lake palette. © 2026 artcyp.com

Provisional a Dropped Frame

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Reading of an Empty Frequency, generative plate from seed 993089565Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 993089565 in the Carob palette. © 2026 artcyp.com

Reading of an Empty Frequency

Ήρθε ολοκληρωμένο, που δεν είναι το ίδιο με το να έχει λυθεί.

Approach to a Dropped Frame, generative plate from seed 90988227Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 90988227 in the Troodos Pine palette. © 2026 artcyp.com

Approach to a Dropped Frame

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Evidence of the Venetian Wall, generative plate from seed 3072391890Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3072391890 in the Carob palette. © 2026 artcyp.com

Evidence of the Venetian Wall

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Approach to the Ninth Hour, generative plate from seed 1550676296Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1550676296 in the Levantine Light palette. © 2026 artcyp.com

Approach to the Ninth Hour

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Late Varosha, generative plate from seed 3504236128Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3504236128 in the Troodos Pine palette. © 2026 artcyp.com

Late Varosha

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Crossing at a Dry Cistern, generative plate from seed 3412383429Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3412383429 in the Carob palette. © 2026 artcyp.com

Crossing at a Dry Cistern

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

After a Dropped Frame, generative plate from seed 1946890523Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1946890523 in the Salt Lake palette. © 2026 artcyp.com

After a Dropped Frame

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.