Ροή Artforum · A New South Asian Arts Festival Comes To London Όλα τα νέα
ARTCYP Τέχνη στην Κύπρο, και μια μηχανή που σχεδιάζει English

Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Επόμενη πλάκα

Αναμένεται η AC-1921. 22 Oct, 22:00 UTC

Ο κατάλογος κρατά 921 πλάκες από 1000 δυνατές.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Δεκαπέντε πλάκες την ημέρα, και οι δώδεκα ανάμεσα στις δέκα το βράδυ και τις τέσσερις το πρωί, όταν τίποτα άλλο εδώ δεν χρειάζεται τη μηχανή. Στις χίλιες το δωμάτιο γεμίζει, και κάθε νέα αποσύρει την παλαιότερη από όσες κόπηκαν. Οι σαράντα πρώτες μένουν στη θέση τους.

On titles, palettes, and what neither of them claims. Δες την πιο πρόσφατη.

Showing 40 of 89, page 2 of 3.

Crossing at Six Terraces, generative plate from seed 743060162One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 743060162 in the Mesaoria Ochre palette. © 2026 artcyp.com

Crossing at Six Terraces

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Approach to Two Registrations, generative plate from seed 781248631One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 781248631 in the Mesaoria Ochre palette. © 2026 artcyp.com

Approach to Two Registrations

Κάθε γραμμή είχε λόγο, και κανένας λόγος δεν ήταν το γούστο.

Late a Dry Cistern, generative plate from seed 2809363093One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2809363093 in the Mesaoria Ochre palette. © 2026 artcyp.com

Late a Dry Cistern

Ένας κανόνας χωρίς άποψη έβγαλε κάτι που δείχνει να κρατά μία.

Reading of Carob, generative plate from seed 934256432Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 934256432 in the Mesaoria Ochre palette. © 2026 artcyp.com

Reading of Carob

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Study for Two Registrations, generative plate from seed 2989051784Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2989051784 in the Mesaoria Ochre palette. © 2026 artcyp.com

Study for Two Registrations

Το σχέδιο υπάρχει όσο το κοιτάς.

Provisional the Salt Crust, generative plate from seed 2446750411One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2446750411 in the Mesaoria Ochre palette. © 2026 artcyp.com

Provisional the Salt Crust

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Untitled (Akamas), generative plate from seed 2371015925Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2371015925 in the Mesaoria Ochre palette. © 2026 artcyp.com

Untitled (Akamas)

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.

Survey of an Empty Frequency, generative plate from seed 3967361201Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3967361201 in the Mesaoria Ochre palette. © 2026 artcyp.com

Survey of an Empty Frequency

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Study for Skouriotissa, generative plate from seed 3668620934One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3668620934 in the Mesaoria Ochre palette. © 2026 artcyp.com

Study for Skouriotissa

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Approach to Copper Spoil, generative plate from seed 3274901283One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3274901283 in the Mesaoria Ochre palette. © 2026 artcyp.com

Approach to Copper Spoil

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.

Model of Rain on Limestone, generative plate from seed 1708475114Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1708475114 in the Mesaoria Ochre palette. © 2026 artcyp.com

Model of Rain on Limestone

Ο κανόνας δεν ξέρει ότι τελείωσε.

Second Carob, generative plate from seed 1595777560Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1595777560 in the Mesaoria Ochre palette. © 2026 artcyp.com

Second Carob

Δεν φτιάχτηκε για σένα, ούτε για κανέναν, ούτε επίτηδες.

Reading of the Ninth Hour, generative plate from seed 391408008One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 391408008 in the Mesaoria Ochre palette. © 2026 artcyp.com

Reading of the Ninth Hour

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Notes on the Ninth Hour, generative plate from seed 2451004750Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2451004750 in the Mesaoria Ochre palette. © 2026 artcyp.com

Notes on the Ninth Hour

Δεν φτιάχτηκε για σένα, ούτε για κανέναν, ούτε επίτηδες.

Model of the Ledra Line, generative plate from seed 3083934994Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3083934994 in the Mesaoria Ochre palette. © 2026 artcyp.com

Model of the Ledra Line

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Model of an Empty Frequency, generative plate from seed 1455394943Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1455394943 in the Mesaoria Ochre palette. © 2026 artcyp.com

Model of an Empty Frequency

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Notes on a Dry Cistern, generative plate from seed 1307359663Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1307359663 in the Mesaoria Ochre palette. © 2026 artcyp.com

Notes on a Dry Cistern

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

Second Akamas, generative plate from seed 3829487100Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3829487100 in the Mesaoria Ochre palette. © 2026 artcyp.com

Second Akamas

Ήρθε ολοκληρωμένο, που δεν είναι το ίδιο με το να έχει λυθεί.

Study for the Venetian Wall, generative plate from seed 519918051Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 519918051 in the Mesaoria Ochre palette. © 2026 artcyp.com

Study for the Venetian Wall

Δεν υπήρξε πρώτη προσπάθεια, άρα δεν υπάρχει καλύτερη.

After Varosha, generative plate from seed 1404315864Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1404315864 in the Mesaoria Ochre palette. © 2026 artcyp.com

After Varosha

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Model of Six Terraces, generative plate from seed 672068658Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 672068658 in the Mesaoria Ochre palette. © 2026 artcyp.com

Model of Six Terraces

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Late a Dropped Frame, generative plate from seed 600511480Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 600511480 in the Mesaoria Ochre palette. © 2026 artcyp.com

Late a Dropped Frame

Ο κανόνας δεν ξέρει ότι τελείωσε.

Notes on the Venetian Wall, generative plate from seed 2704985524One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2704985524 in the Mesaoria Ochre palette. © 2026 artcyp.com

Notes on the Venetian Wall

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Approach to Varosha, generative plate from seed 997585992Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 997585992 in the Mesaoria Ochre palette. © 2026 artcyp.com

Approach to Varosha

Δεν φτιάχτηκε για σένα, ούτε για κανέναν, ούτε επίτηδες.

Approach to the Green Line, generative plate from seed 1836376420Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1836376420 in the Mesaoria Ochre palette. © 2026 artcyp.com

Approach to the Green Line

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.

Reading of the Venetian Wall, generative plate from seed 101800329One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 101800329 in the Mesaoria Ochre palette. © 2026 artcyp.com

Reading of the Venetian Wall

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Model of an Empty Frequency, generative plate from seed 1227101836Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1227101836 in the Mesaoria Ochre palette. © 2026 artcyp.com

Model of an Empty Frequency

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Crossing at the Salt Crust, generative plate from seed 1913741895Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1913741895 in the Mesaoria Ochre palette. © 2026 artcyp.com

Crossing at the Salt Crust

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Evidence of the Green Line, generative plate from seed 587553967One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 587553967 in the Mesaoria Ochre palette. © 2026 artcyp.com

Evidence of the Green Line

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Notes on the Salt Crust, generative plate from seed 802904000One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 802904000 in the Mesaoria Ochre palette. © 2026 artcyp.com

Notes on the Salt Crust

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

Study for Rain on Limestone, generative plate from seed 3413988363Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3413988363 in the Mesaoria Ochre palette. © 2026 artcyp.com

Study for Rain on Limestone

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Study for Varosha, generative plate from seed 889345514Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 889345514 in the Mesaoria Ochre palette. © 2026 artcyp.com

Study for Varosha

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Reading of Two Registrations, generative plate from seed 1632348413Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1632348413 in the Mesaoria Ochre palette. © 2026 artcyp.com

Reading of Two Registrations

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.

Untitled (Two Registrations), generative plate from seed 3856218945Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3856218945 in the Mesaoria Ochre palette. © 2026 artcyp.com

Untitled (Two Registrations)

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Study for a Held Breath, generative plate from seed 443571464Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 443571464 in the Mesaoria Ochre palette. © 2026 artcyp.com

Study for a Held Breath

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Evidence of Six Terraces, generative plate from seed 2018477290Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2018477290 in the Mesaoria Ochre palette. © 2026 artcyp.com

Evidence of Six Terraces

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

Study for the Ninth Hour, generative plate from seed 1147911388One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 1147911388 in the Mesaoria Ochre palette. © 2026 artcyp.com

Study for the Ninth Hour

Τίποτα δεν απορρίφθηκε στον δρόμο, γιατί τίποτα δεν εξετάστηκε.

Second an Empty Frequency, generative plate from seed 4017936209Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 4017936209 in the Mesaoria Ochre palette. © 2026 artcyp.com

Second an Empty Frequency

Ήρθε ολοκληρωμένο, που δεν είναι το ίδιο με το να έχει λυθεί.

Second Varosha, generative plate from seed 1855043394Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1855043394 in the Mesaoria Ochre palette. © 2026 artcyp.com

Second Varosha

Ο κανόνας δεν ξέρει ότι τελείωσε.

Crossing at a Dropped Frame, generative plate from seed 3029579508Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3029579508 in the Mesaoria Ochre palette. © 2026 artcyp.com

Crossing at a Dropped Frame

Το σχέδιο υπάρχει όσο το κοιτάς.