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ARTCYP Τέχνη στην Κύπρο, και μια μηχανή που σχεδιάζει English

Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Επόμενη πλάκα

Αναμένεται η AC-1921. 22 Oct, 22:00 UTC

Ο κατάλογος κρατά 921 πλάκες από 1000 δυνατές.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Δεκαπέντε πλάκες την ημέρα, και οι δώδεκα ανάμεσα στις δέκα το βράδυ και τις τέσσερις το πρωί, όταν τίποτα άλλο εδώ δεν χρειάζεται τη μηχανή. Στις χίλιες το δωμάτιο γεμίζει, και κάθε νέα αποσύρει την παλαιότερη από όσες κόπηκαν. Οι σαράντα πρώτες μένουν στη θέση τους.

On titles, palettes, and what neither of them claims. Δες την πιο πρόσφατη.

Showing 25 of 105, page 3 of 3.

Reading of the Green Line, generative plate from seed 3430220111Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3430220111 in the Akamas Thyme palette. © 2026 artcyp.com

Reading of the Green Line

AC-1274 · bloom · Akamas Thyme

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Survey of Akamas, generative plate from seed 1559629522One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 1559629522 in the Akamas Thyme palette. © 2026 artcyp.com

Survey of Akamas

AC-1228 · lattice · Akamas Thyme

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

Approach to Copper Spoil, generative plate from seed 4277629704Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 4277629704 in the Akamas Thyme palette. © 2026 artcyp.com

Approach to Copper Spoil

AC-1226 · strata · Akamas Thyme

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Late Rain on Limestone, generative plate from seed 1749073763One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 1749073763 in the Akamas Thyme palette. © 2026 artcyp.com

Late Rain on Limestone

AC-1223 · lattice · Akamas Thyme

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Approach to Six Terraces, generative plate from seed 565614927One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 565614927 in the Akamas Thyme palette. © 2026 artcyp.com

Approach to Six Terraces

AC-1208 · lattice · Akamas Thyme

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.

Approach to the Ninth Hour, generative plate from seed 2186754038Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2186754038 in the Akamas Thyme palette. © 2026 artcyp.com

Approach to the Ninth Hour

AC-1206 · strata · Akamas Thyme

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Model of an Empty Frequency, generative plate from seed 3668110148Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3668110148 in the Akamas Thyme palette. © 2026 artcyp.com

Model of an Empty Frequency

AC-1205 · flow · Akamas Thyme

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

Study for the Venetian Wall, generative plate from seed 2904451510Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2904451510 in the Akamas Thyme palette. © 2026 artcyp.com

Study for the Venetian Wall

AC-1196 · strata · Akamas Thyme

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Survey of Six Terraces, generative plate from seed 1565093663Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1565093663 in the Akamas Thyme palette. © 2026 artcyp.com

Survey of Six Terraces

AC-1192 · moire · Akamas Thyme

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

Study for Rain on Limestone, generative plate from seed 735385248Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 735385248 in the Akamas Thyme palette. © 2026 artcyp.com

Study for Rain on Limestone

AC-1185 · flow · Akamas Thyme

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

After an Empty Frequency, generative plate from seed 3327729779Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3327729779 in the Akamas Thyme palette. © 2026 artcyp.com

After an Empty Frequency

AC-1167 · moire · Akamas Thyme

Δεν υπήρξε πρώτη προσπάθεια, άρα δεν υπάρχει καλύτερη.

Evidence of Six Terraces, generative plate from seed 4117473697Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 4117473697 in the Akamas Thyme palette. © 2026 artcyp.com

Evidence of Six Terraces

AC-1166 · strata · Akamas Thyme

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Reading of the Ledra Line, generative plate from seed 3556765337Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3556765337 in the Akamas Thyme palette. © 2026 artcyp.com

Reading of the Ledra Line

AC-1161 · strata · Akamas Thyme

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Approach to the Salt Crust, generative plate from seed 1572694142One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 1572694142 in the Akamas Thyme palette. © 2026 artcyp.com

Approach to the Salt Crust

AC-1143 · lattice · Akamas Thyme

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Approach to a Held Breath, generative plate from seed 117415510One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 117415510 in the Akamas Thyme palette. © 2026 artcyp.com

Approach to a Held Breath

AC-1138 · lattice · Akamas Thyme

Ήρθε ολοκληρωμένο, που δεν είναι το ίδιο με το να έχει λυθεί.

Study for Six Terraces, generative plate from seed 3423145712Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3423145712 in the Akamas Thyme palette. © 2026 artcyp.com

Study for Six Terraces

AC-1097 · moire · Akamas Thyme

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

Evidence of Standing Water, generative plate from seed 62616087Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 62616087 in the Akamas Thyme palette. © 2026 artcyp.com

Evidence of Standing Water

AC-1090 · flow · Akamas Thyme

Τίποτα εδώ δεν αποφασίστηκε δεύτερη φορά.

Provisional the August Reservoir, generative plate from seed 1806302165Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1806302165 in the Akamas Thyme palette. © 2026 artcyp.com

Provisional the August Reservoir

AC-1087 · moire · Akamas Thyme

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Late the Ledra Line, generative plate from seed 867917807Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 867917807 in the Akamas Thyme palette. © 2026 artcyp.com

Late the Ledra Line

AC-1081 · strata · Akamas Thyme

Αυτό δεν πήρε κανένα απόγευμα.

Late Rain on Limestone, generative plate from seed 3691124055Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3691124055 in the Akamas Thyme palette. © 2026 artcyp.com

Late Rain on Limestone

AC-1076 · strata · Akamas Thyme

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Evidence of the Venetian Wall, generative plate from seed 3943749933Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3943749933 in the Akamas Thyme palette. © 2026 artcyp.com

Evidence of the Venetian Wall

AC-1070 · flow · Akamas Thyme

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

Crossing at the Slow Channel, generative plate from seed 253878999One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 253878999 in the Akamas Thyme palette. © 2026 artcyp.com

Crossing at the Slow Channel

AC-1028 · lattice · Akamas Thyme

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Untitled (a Dry Cistern), generative plate from seed 2858839438Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2858839438 in the Akamas Thyme palette. © 2026 artcyp.com

Untitled (a Dry Cistern)

AC-1027 · moire · Akamas Thyme

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

After an Empty Frequency, generative plate from seed 1230681110Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1230681110 in the Akamas Thyme palette. © 2026 artcyp.com

After an Empty Frequency

AC-1016 · strata · Akamas Thyme

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Crossing at a Dry Cistern, generative plate from seed 992862353Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 992862353 in the Akamas Thyme palette. © 2026 artcyp.com

Crossing at a Dry Cistern

AC-1012 · moire · Akamas Thyme

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.