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ARTCYP Τέχνη στην Κύπρο, και μια μηχανή που σχεδιάζει English

Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Επόμενη πλάκα

Αναμένεται η AC-1921. 22 Oct, 22:00 UTC

Ο κατάλογος κρατά 921 πλάκες από 1000 δυνατές.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Δεκαπέντε πλάκες την ημέρα, και οι δώδεκα ανάμεσα στις δέκα το βράδυ και τις τέσσερις το πρωί, όταν τίποτα άλλο εδώ δεν χρειάζεται τη μηχανή. Στις χίλιες το δωμάτιο γεμίζει, και κάθε νέα αποσύρει την παλαιότερη από όσες κόπηκαν. Οι σαράντα πρώτες μένουν στη θέση τους.

On titles, palettes, and what neither of them claims. Δες την πιο πρόσφατη.

Showing 37 of 117, page 3 of 3.

Survey of the Ledra Line, generative plate from seed 2835933723One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2835933723 in the Buffer Grey palette. © 2026 artcyp.com

Survey of the Ledra Line

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Crossing at the Ledra Line, generative plate from seed 2655187272Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2655187272 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at the Ledra Line

Δεν φτιάχτηκε για σένα, ούτε για κανέναν, ούτε επίτηδες.

Crossing at the Venetian Wall, generative plate from seed 3081352918Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3081352918 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at the Venetian Wall

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

Provisional a Dropped Frame, generative plate from seed 108253247Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 108253247 in the Buffer Grey palette. © 2026 artcyp.com

Provisional a Dropped Frame

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Evidence of Six Terraces, generative plate from seed 1081948314Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1081948314 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of Six Terraces

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.

Notes on Standing Water, generative plate from seed 2362456504Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2362456504 in the Buffer Grey palette. © 2026 artcyp.com

Notes on Standing Water

Κάθε γραμμή είχε λόγο, και κανένας λόγος δεν ήταν το γούστο.

Second the Ledra Line, generative plate from seed 2601065166One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2601065166 in the Buffer Grey palette. © 2026 artcyp.com

Second the Ledra Line

Ο κανόνας δεν ξέρει ότι τελείωσε.

Model of the Green Line, generative plate from seed 1714325377Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1714325377 in the Buffer Grey palette. © 2026 artcyp.com

Model of the Green Line

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Late Two Registrations, generative plate from seed 2384108010Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2384108010 in the Buffer Grey palette. © 2026 artcyp.com

Late Two Registrations

Η πυκνότητα είναι μέτρημα. Η ισορροπία είναι σύμπτωση του μετρήματος.

Late the August Reservoir, generative plate from seed 1804571138Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1804571138 in the Buffer Grey palette. © 2026 artcyp.com

Late the August Reservoir

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

Model of a Dry Cistern, generative plate from seed 278718734One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 278718734 in the Buffer Grey palette. © 2026 artcyp.com

Model of a Dry Cistern

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

Second Carob, generative plate from seed 483621276Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 483621276 in the Buffer Grey palette. © 2026 artcyp.com

Second Carob

Ένας κανόνας χωρίς άποψη έβγαλε κάτι που δείχνει να κρατά μία.

After the Slow Channel, generative plate from seed 3592521520Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3592521520 in the Buffer Grey palette. © 2026 artcyp.com

After the Slow Channel

Ένας κανόνας χωρίς άποψη έβγαλε κάτι που δείχνει να κρατά μία.

Survey of the Venetian Wall, generative plate from seed 2348446236Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2348446236 in the Buffer Grey palette. © 2026 artcyp.com

Survey of the Venetian Wall

Ένας κανόνας χωρίς άποψη έβγαλε κάτι που δείχνει να κρατά μία.

Notes on the Slow Channel, generative plate from seed 1419469531Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1419469531 in the Buffer Grey palette. © 2026 artcyp.com

Notes on the Slow Channel

Το σχέδιο υπάρχει όσο το κοιτάς.

Provisional the Ledra Line, generative plate from seed 79022020Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 79022020 in the Buffer Grey palette. © 2026 artcyp.com

Provisional the Ledra Line

Αυτή είναι η μόνη εκδοχή. Ποτέ δεν υπήρξαν άλλες.

Approach to Copper Spoil, generative plate from seed 105230285One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 105230285 in the Buffer Grey palette. © 2026 artcyp.com

Approach to Copper Spoil

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Crossing at Carob, generative plate from seed 3592803395Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3592803395 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at Carob

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Crossing at the Salt Crust, generative plate from seed 1061368221Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1061368221 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at the Salt Crust

Κάθε γραμμή είχε λόγο, και κανένας λόγος δεν ήταν το γούστο.

Approach to Copper Spoil, generative plate from seed 2859599405Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2859599405 in the Buffer Grey palette. © 2026 artcyp.com

Approach to Copper Spoil

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

After the Salt Crust, generative plate from seed 2532835248Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2532835248 in the Buffer Grey palette. © 2026 artcyp.com

After the Salt Crust

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

Survey of Copper Spoil, generative plate from seed 12507852Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 12507852 in the Buffer Grey palette. © 2026 artcyp.com

Survey of Copper Spoil

Ένας κανόνας χωρίς άποψη έβγαλε κάτι που δείχνει να κρατά μία.

After the Green Line, generative plate from seed 3858097160Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3858097160 in the Buffer Grey palette. © 2026 artcyp.com

After the Green Line

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Study for the Slow Channel, generative plate from seed 3792375678Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3792375678 in the Buffer Grey palette. © 2026 artcyp.com

Study for the Slow Channel

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Crossing at Six Terraces, generative plate from seed 1231931421Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1231931421 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at Six Terraces

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Untitled (the Salt Crust), generative plate from seed 74611619Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 74611619 in the Buffer Grey palette. © 2026 artcyp.com

Untitled (the Salt Crust)

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.

Untitled (Copper Spoil), generative plate from seed 2833972697One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2833972697 in the Buffer Grey palette. © 2026 artcyp.com

Untitled (Copper Spoil)

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Study for Skouriotissa, generative plate from seed 1025171318Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1025171318 in the Buffer Grey palette. © 2026 artcyp.com

Study for Skouriotissa

Τίποτα δεν απορρίφθηκε στον δρόμο, γιατί τίποτα δεν εξετάστηκε.

Provisional Two Registrations, generative plate from seed 956605293Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 956605293 in the Buffer Grey palette. © 2026 artcyp.com

Provisional Two Registrations

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Second a Held Breath, generative plate from seed 1080669049Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1080669049 in the Buffer Grey palette. © 2026 artcyp.com

Second a Held Breath

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Crossing at Akamas, generative plate from seed 1168521727Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1168521727 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at Akamas

Δεν συντέθηκε. Επιτράπηκε.

Late the August Reservoir, generative plate from seed 3966489593Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3966489593 in the Buffer Grey palette. © 2026 artcyp.com

Late the August Reservoir

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Evidence of the Slow Channel, generative plate from seed 2919223183Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2919223183 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of the Slow Channel

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.

Crossing at a Held Breath, generative plate from seed 1739452319Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1739452319 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at a Held Breath

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Crossing at the Ninth Hour, generative plate from seed 619467694Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 619467694 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at the Ninth Hour

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Reading of the Green Line, generative plate from seed 957968586One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 957968586 in the Buffer Grey palette. © 2026 artcyp.com

Reading of the Green Line

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Model of Copper Spoil, generative plate from seed 312855157Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 312855157 in the Buffer Grey palette. © 2026 artcyp.com

Model of Copper Spoil

Τίποτα δεν απορρίφθηκε στον δρόμο, γιατί τίποτα δεν εξετάστηκε.