Ροή Artnet News · This Kandinsky Work Is Primed to Shatter the Artist’s Record Όλα τα νέα
ARTCYP Τέχνη στην Κύπρο, και μια μηχανή που σχεδιάζει English

Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Επόμενη πλάκα

Αναμένεται η AC-1928. 23 Oct, 01:30 UTC

Ο κατάλογος κρατά 928 πλάκες από 1000 δυνατές.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Δεκαπέντε πλάκες την ημέρα, και οι δώδεκα ανάμεσα στις δέκα το βράδυ και τις τέσσερις το πρωί, όταν τίποτα άλλο εδώ δεν χρειάζεται τη μηχανή. Στις χίλιες το δωμάτιο γεμίζει, και κάθε νέα αποσύρει την παλαιότερη από όσες κόπηκαν. Οι σαράντα πρώτες μένουν στη θέση τους.

On titles, palettes, and what neither of them claims. Δες την πιο πρόσφατη.

Showing 40 of 928, page 12 of 24.

Study for a Dropped Frame, generative plate from seed 2853787412Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2853787412 in the Levantine Light palette. © 2026 artcyp.com

Study for a Dropped Frame

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Untitled (Akamas), generative plate from seed 2357568563Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2357568563 in the Kypros Copper palette. © 2026 artcyp.com

Untitled (Akamas)

Ένας κανόνας χωρίς άποψη έβγαλε κάτι που δείχνει να κρατά μία.

Late Standing Water, generative plate from seed 626183151Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 626183151 in the Troodos Pine palette. © 2026 artcyp.com

Late Standing Water

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Provisional Standing Water, generative plate from seed 3113133828Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3113133828 in the Troodos Pine palette. © 2026 artcyp.com

Provisional Standing Water

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

Approach to Six Terraces, generative plate from seed 3364297354One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3364297354 in the Kypros Copper palette. © 2026 artcyp.com

Approach to Six Terraces

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Study for Varosha, generative plate from seed 735244667Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 735244667 in the Levantine Light palette. © 2026 artcyp.com

Study for Varosha

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Untitled (a Held Breath), generative plate from seed 504448726Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 504448726 in the Akamas Thyme palette. © 2026 artcyp.com

Untitled (a Held Breath)

Η πυκνότητα είναι μέτρημα. Η ισορροπία είναι σύμπτωση του μετρήματος.

Notes on the Venetian Wall, generative plate from seed 3671601320Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3671601320 in the Buffer Grey palette. © 2026 artcyp.com

Notes on the Venetian Wall

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Untitled (Carob), generative plate from seed 1050804062Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1050804062 in the Buffer Grey palette. © 2026 artcyp.com

Untitled (Carob)

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Reading of Standing Water, generative plate from seed 161442616One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 161442616 in the Troodos Pine palette. © 2026 artcyp.com

Reading of Standing Water

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Study for the Green Line, generative plate from seed 3402940379Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3402940379 in the Kyrenia Blue palette. © 2026 artcyp.com

Study for the Green Line

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Study for Two Registrations, generative plate from seed 2989051784Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2989051784 in the Mesaoria Ochre palette. © 2026 artcyp.com

Study for Two Registrations

Το σχέδιο υπάρχει όσο το κοιτάς.

Provisional the Salt Crust, generative plate from seed 1194828269Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1194828269 in the Troodos Pine palette. © 2026 artcyp.com

Provisional the Salt Crust

Κάθε γραμμή είχε λόγο, και κανένας λόγος δεν ήταν το γούστο.

Approach to Copper Spoil, generative plate from seed 3167562807Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3167562807 in the Kypros Copper palette. © 2026 artcyp.com

Approach to Copper Spoil

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.

Provisional the Salt Crust, generative plate from seed 2446750411One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2446750411 in the Mesaoria Ochre palette. © 2026 artcyp.com

Provisional the Salt Crust

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Reading of the Salt Crust, generative plate from seed 360668203Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 360668203 in the Akamas Thyme palette. © 2026 artcyp.com

Reading of the Salt Crust

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Survey of Akamas, generative plate from seed 2501664526Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2501664526 in the Salt Lake palette. © 2026 artcyp.com

Survey of Akamas

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Reading of the Green Line, generative plate from seed 530418049Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 530418049 in the Kypros Copper palette. © 2026 artcyp.com

Reading of the Green Line

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

Untitled (a Held Breath), generative plate from seed 411177928Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 411177928 in the Kyrenia Blue palette. © 2026 artcyp.com

Untitled (a Held Breath)

Η πυκνότητα είναι μέτρημα. Η ισορροπία είναι σύμπτωση του μετρήματος.

Late Carob, generative plate from seed 2323766840One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2323766840 in the Levantine Light palette. © 2026 artcyp.com

Late Carob

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Late the Slow Channel, generative plate from seed 2570491203Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2570491203 in the Buffer Grey palette. © 2026 artcyp.com

Late the Slow Channel

Δεν φτιάχτηκε για σένα, ούτε για κανέναν, ούτε επίτηδες.

Untitled (Akamas), generative plate from seed 2371015925Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2371015925 in the Mesaoria Ochre palette. © 2026 artcyp.com

Untitled (Akamas)

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.

Model of an Empty Frequency, generative plate from seed 3824271604Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3824271604 in the Levantine Light palette. © 2026 artcyp.com

Model of an Empty Frequency

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Second Six Terraces, generative plate from seed 3035673870Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3035673870 in the Akamas Thyme palette. © 2026 artcyp.com

Second Six Terraces

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

After Standing Water, generative plate from seed 2623667897One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2623667897 in the Kypros Copper palette. © 2026 artcyp.com

After Standing Water

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Notes on Akamas, generative plate from seed 199483387Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 199483387 in the Carob palette. © 2026 artcyp.com

Notes on Akamas

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Untitled (the Ninth Hour), generative plate from seed 2265295438Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2265295438 in the Kyrenia Blue palette. © 2026 artcyp.com

Untitled (the Ninth Hour)

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Study for a Dropped Frame, generative plate from seed 764940643Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 764940643 in the Levantine Light palette. © 2026 artcyp.com

Study for a Dropped Frame

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

After the Green Line, generative plate from seed 3863238819Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3863238819 in the Levantine Light palette. © 2026 artcyp.com

After the Green Line

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Late the Ninth Hour, generative plate from seed 14332010One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 14332010 in the Carob palette. © 2026 artcyp.com

Late the Ninth Hour

Το σχέδιο υπάρχει όσο το κοιτάς.

Late Rain on Limestone, generative plate from seed 3585407584Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3585407584 in the Carob palette. © 2026 artcyp.com

Late Rain on Limestone

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Model of a Dropped Frame, generative plate from seed 1862459546Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1862459546 in the Buffer Grey palette. © 2026 artcyp.com

Model of a Dropped Frame

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Reading of the Green Line, generative plate from seed 1759552760Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1759552760 in the Kypros Copper palette. © 2026 artcyp.com

Reading of the Green Line

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Second a Dry Cistern, generative plate from seed 1858442546Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1858442546 in the Buffer Grey palette. © 2026 artcyp.com

Second a Dry Cistern

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

Study for Rain on Limestone, generative plate from seed 2488051700One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2488051700 in the Buffer Grey palette. © 2026 artcyp.com

Study for Rain on Limestone

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Evidence of the Venetian Wall, generative plate from seed 3569419557Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3569419557 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of the Venetian Wall

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Study for the August Reservoir, generative plate from seed 1105651048Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1105651048 in the Salt Lake palette. © 2026 artcyp.com

Study for the August Reservoir

Τίποτα εδώ δεν αποφασίστηκε δεύτερη φορά.

Notes on a Dry Cistern, generative plate from seed 1074816500Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1074816500 in the Troodos Pine palette. © 2026 artcyp.com

Notes on a Dry Cistern

Αυτό δεν πήρε κανένα απόγευμα.

Model of the Ledra Line, generative plate from seed 1769368681Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1769368681 in the Akamas Thyme palette. © 2026 artcyp.com

Model of the Ledra Line

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Late Two Registrations, generative plate from seed 504050001One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 504050001 in the Salt Lake palette. © 2026 artcyp.com

Late Two Registrations

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.