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Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Επόμενη πλάκα

Αναμένεται η AC-1921. 22 Oct, 22:00 UTC

Ο κατάλογος κρατά 921 πλάκες από 1000 δυνατές.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Δεκαπέντε πλάκες την ημέρα, και οι δώδεκα ανάμεσα στις δέκα το βράδυ και τις τέσσερις το πρωί, όταν τίποτα άλλο εδώ δεν χρειάζεται τη μηχανή. Στις χίλιες το δωμάτιο γεμίζει, και κάθε νέα αποσύρει την παλαιότερη από όσες κόπηκαν. Οι σαράντα πρώτες μένουν στη θέση τους.

On titles, palettes, and what neither of them claims. Δες την πιο πρόσφατη.

Showing 40 of 109, page 2 of 3.

Approach to a Dry Cistern, generative plate from seed 662359176Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 662359176 in the Levantine Light palette. © 2026 artcyp.com

Approach to a Dry Cistern

AC-1576 · strata · Levantine Light

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Study for Skouriotissa, generative plate from seed 3521581046Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3521581046 in the Levantine Light palette. © 2026 artcyp.com

Study for Skouriotissa

AC-1575 · flow · Levantine Light

Δεν φτιάχτηκε για σένα, ούτε για κανέναν, ούτε επίτηδες.

Reading of Varosha, generative plate from seed 3416143178Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3416143178 in the Levantine Light palette. © 2026 artcyp.com

Reading of Varosha

AC-1572 · moire · Levantine Light

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Late a Dry Cistern, generative plate from seed 342856525Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 342856525 in the Levantine Light palette. © 2026 artcyp.com

Late a Dry Cistern

AC-1567 · moire · Levantine Light

Το σχέδιο υπάρχει όσο το κοιτάς.

Study for the Slow Channel, generative plate from seed 3233141850Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3233141850 in the Levantine Light palette. © 2026 artcyp.com

Study for the Slow Channel

AC-1547 · moire · Levantine Light

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.

Evidence of Rain on Limestone, generative plate from seed 2830545613Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2830545613 in the Levantine Light palette. © 2026 artcyp.com

Evidence of Rain on Limestone

AC-1542 · moire · Levantine Light

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Approach to the Ninth Hour, generative plate from seed 1550676296Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1550676296 in the Levantine Light palette. © 2026 artcyp.com

Approach to the Ninth Hour

AC-1536 · strata · Levantine Light

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Late Skouriotissa, generative plate from seed 2671917193Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2671917193 in the Levantine Light palette. © 2026 artcyp.com

Late Skouriotissa

AC-1529 · bloom · Levantine Light

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Approach to Copper Spoil, generative plate from seed 1755466701Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1755466701 in the Levantine Light palette. © 2026 artcyp.com

Approach to Copper Spoil

AC-1520 · flow · Levantine Light

Αυτό δεν πήρε κανένα απόγευμα.

Evidence of an Empty Frequency, generative plate from seed 898367106One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 898367106 in the Levantine Light palette. © 2026 artcyp.com

Evidence of an Empty Frequency

AC-1513 · lattice · Levantine Light

Αυτό δεν πήρε κανένα απόγευμα.

Notes on the Ninth Hour, generative plate from seed 3462808192Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3462808192 in the Levantine Light palette. © 2026 artcyp.com

Notes on the Ninth Hour

AC-1511 · strata · Levantine Light

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Model of a Held Breath, generative plate from seed 2620295582Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2620295582 in the Levantine Light palette. © 2026 artcyp.com

Model of a Held Breath

AC-1504 · bloom · Levantine Light

Αυτή είναι η μόνη εκδοχή. Ποτέ δεν υπήρξαν άλλες.

Model of the Venetian Wall, generative plate from seed 2739954150Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2739954150 in the Levantine Light palette. © 2026 artcyp.com

Model of the Venetian Wall

AC-1491 · strata · Levantine Light

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Study for a Dropped Frame, generative plate from seed 2853787412Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2853787412 in the Levantine Light palette. © 2026 artcyp.com

Study for a Dropped Frame

AC-1487 · moire · Levantine Light

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Study for Varosha, generative plate from seed 735244667Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 735244667 in the Levantine Light palette. © 2026 artcyp.com

Study for Varosha

AC-1482 · moire · Levantine Light

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Late Carob, generative plate from seed 2323766840One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2323766840 in the Levantine Light palette. © 2026 artcyp.com

Late Carob

AC-1468 · lattice · Levantine Light

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Model of an Empty Frequency, generative plate from seed 3824271604Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3824271604 in the Levantine Light palette. © 2026 artcyp.com

Model of an Empty Frequency

AC-1465 · flow · Levantine Light

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Study for a Dropped Frame, generative plate from seed 764940643Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 764940643 in the Levantine Light palette. © 2026 artcyp.com

Study for a Dropped Frame

AC-1460 · flow · Levantine Light

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

After the Green Line, generative plate from seed 3863238819Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3863238819 in the Levantine Light palette. © 2026 artcyp.com

After the Green Line

AC-1459 · bloom · Levantine Light

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Approach to the Green Line, generative plate from seed 327285238Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 327285238 in the Levantine Light palette. © 2026 artcyp.com

Approach to the Green Line

AC-1420 · flow · Levantine Light

Δεν υπήρξε πρώτη προσπάθεια, άρα δεν υπάρχει καλύτερη.

Model of Six Terraces, generative plate from seed 2810997225Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2810997225 in the Levantine Light palette. © 2026 artcyp.com

Model of Six Terraces

AC-1409 · bloom · Levantine Light

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Second Six Terraces, generative plate from seed 2601102224One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2601102224 in the Levantine Light palette. © 2026 artcyp.com

Second Six Terraces

AC-1398 · lattice · Levantine Light

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Study for Akamas, generative plate from seed 1223880055Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1223880055 in the Levantine Light palette. © 2026 artcyp.com

Study for Akamas

AC-1396 · strata · Levantine Light

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Reading of Standing Water, generative plate from seed 1353534425Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1353534425 in the Levantine Light palette. © 2026 artcyp.com

Reading of Standing Water

AC-1392 · moire · Levantine Light

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Approach to a Dropped Frame, generative plate from seed 1271819851Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1271819851 in the Levantine Light palette. © 2026 artcyp.com

Approach to a Dropped Frame

AC-1384 · bloom · Levantine Light

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

Untitled (the Salt Crust), generative plate from seed 2590913419Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2590913419 in the Levantine Light palette. © 2026 artcyp.com

Untitled (the Salt Crust)

AC-1367 · moire · Levantine Light

Η πυκνότητα είναι μέτρημα. Η ισορροπία είναι σύμπτωση του μετρήματος.

Crossing at Rain on Limestone, generative plate from seed 4001293668Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 4001293668 in the Levantine Light palette. © 2026 artcyp.com

Crossing at Rain on Limestone

AC-1364 · bloom · Levantine Light

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Study for a Dropped Frame, generative plate from seed 1539311870Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1539311870 in the Levantine Light palette. © 2026 artcyp.com

Study for a Dropped Frame

AC-1355 · flow · Levantine Light

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Study for Copper Spoil, generative plate from seed 351252926Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 351252926 in the Levantine Light palette. © 2026 artcyp.com

Study for Copper Spoil

AC-1351 · strata · Levantine Light

Δεν συντέθηκε. Επιτράπηκε.

Crossing at a Dry Cistern, generative plate from seed 681188461Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 681188461 in the Levantine Light palette. © 2026 artcyp.com

Crossing at a Dry Cistern

AC-1337 · moire · Levantine Light

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Approach to an Empty Frequency, generative plate from seed 3543731868Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3543731868 in the Levantine Light palette. © 2026 artcyp.com

Approach to an Empty Frequency

AC-1330 · flow · Levantine Light

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Study for the Salt Crust, generative plate from seed 1672655152Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1672655152 in the Levantine Light palette. © 2026 artcyp.com

Study for the Salt Crust

AC-1320 · flow · Levantine Light

Δεν συντέθηκε. Επιτράπηκε.

Second the Ninth Hour, generative plate from seed 3028861269Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3028861269 in the Levantine Light palette. © 2026 artcyp.com

Second the Ninth Hour

AC-1312 · moire · Levantine Light

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Model of Rain on Limestone, generative plate from seed 2875055661Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2875055661 in the Levantine Light palette. © 2026 artcyp.com

Model of Rain on Limestone

AC-1285 · flow · Levantine Light

Κάθε γραμμή είχε λόγο, και κανένας λόγος δεν ήταν το γούστο.

Survey of the August Reservoir, generative plate from seed 1917583206One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 1917583206 in the Levantine Light palette. © 2026 artcyp.com

Survey of the August Reservoir

AC-1278 · lattice · Levantine Light

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

Crossing at the Ledra Line, generative plate from seed 3974722533One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3974722533 in the Levantine Light palette. © 2026 artcyp.com

Crossing at the Ledra Line

AC-1273 · lattice · Levantine Light

Ένας κανόνας χωρίς άποψη έβγαλε κάτι που δείχνει να κρατά μία.

Crossing at the Green Line, generative plate from seed 229171200One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 229171200 in the Levantine Light palette. © 2026 artcyp.com

Crossing at the Green Line

AC-1268 · lattice · Levantine Light

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Untitled (Standing Water), generative plate from seed 2508361316Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2508361316 in the Levantine Light palette. © 2026 artcyp.com

Untitled (Standing Water)

AC-1257 · moire · Levantine Light

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Model of the Green Line, generative plate from seed 1238257480Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1238257480 in the Levantine Light palette. © 2026 artcyp.com

Model of the Green Line

AC-1254 · bloom · Levantine Light

Δεν συντέθηκε. Επιτράπηκε.

Model of the Venetian Wall, generative plate from seed 1148291612Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1148291612 in the Levantine Light palette. © 2026 artcyp.com

Model of the Venetian Wall

AC-1251 · strata · Levantine Light

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.