Ροή Hyperallergic · French Students Take to the Monuments Όλα τα νέα
ARTCYP Τέχνη στην Κύπρο, και μια μηχανή που σχεδιάζει English

Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Επόμενη πλάκα

Αναμένεται η AC-1920. 22 Oct, 16:00 UTC

Ο κατάλογος κρατά 920 πλάκες από 1000 δυνατές.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Δεκαπέντε πλάκες την ημέρα, και οι δώδεκα ανάμεσα στις δέκα το βράδυ και τις τέσσερις το πρωί, όταν τίποτα άλλο εδώ δεν χρειάζεται τη μηχανή. Στις χίλιες το δωμάτιο γεμίζει, και κάθε νέα αποσύρει την παλαιότερη από όσες κόπηκαν. Οι σαράντα πρώτες μένουν στη θέση τους.

On titles, palettes, and what neither of them claims. Δες την πιο πρόσφατη.

Showing 40 of 117, page 1 of 3.

Second the Slow Channel, generative plate from seed 2541698749Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2541698749 in the Buffer Grey palette. © 2026 artcyp.com

Second the Slow Channel

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Reading of Rain on Limestone, generative plate from seed 1691262497Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1691262497 in the Buffer Grey palette. © 2026 artcyp.com

Reading of Rain on Limestone

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

Approach to the Ledra Line, generative plate from seed 4065110509One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 4065110509 in the Buffer Grey palette. © 2026 artcyp.com

Approach to the Ledra Line

Ήρθε ολοκληρωμένο, που δεν είναι το ίδιο με το να έχει λυθεί.

Evidence of Standing Water, generative plate from seed 215306958Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 215306958 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of Standing Water

Ήρθε ολοκληρωμένο, που δεν είναι το ίδιο με το να έχει λυθεί.

Model of Akamas, generative plate from seed 3937295891Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3937295891 in the Buffer Grey palette. © 2026 artcyp.com

Model of Akamas

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Notes on Rain on Limestone, generative plate from seed 3247115364One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3247115364 in the Buffer Grey palette. © 2026 artcyp.com

Notes on Rain on Limestone

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Survey of Standing Water, generative plate from seed 3027237240Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3027237240 in the Buffer Grey palette. © 2026 artcyp.com

Survey of Standing Water

Αυτή είναι η μόνη εκδοχή. Ποτέ δεν υπήρξαν άλλες.

Crossing at Carob, generative plate from seed 1813515267Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1813515267 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at Carob

Δεν συντέθηκε. Επιτράπηκε.

Survey of Rain on Limestone, generative plate from seed 4109505477Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 4109505477 in the Buffer Grey palette. © 2026 artcyp.com

Survey of Rain on Limestone

Μπήκε ένας αριθμός. Βγήκε αυτό. Δεν υπάρχει τρίτο πράγμα.

After the Salt Crust, generative plate from seed 1841505009Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1841505009 in the Buffer Grey palette. © 2026 artcyp.com

After the Salt Crust

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Late Varosha, generative plate from seed 2982116543Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2982116543 in the Buffer Grey palette. © 2026 artcyp.com

Late Varosha

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Crossing at an Empty Frequency, generative plate from seed 3190519035One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3190519035 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at an Empty Frequency

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Survey of a Held Breath, generative plate from seed 208607362Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 208607362 in the Buffer Grey palette. © 2026 artcyp.com

Survey of a Held Breath

Το σχέδιο υπάρχει όσο το κοιτάς.

Evidence of the Ledra Line, generative plate from seed 1444731421Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1444731421 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of the Ledra Line

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

Second Two Registrations, generative plate from seed 4165703668Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 4165703668 in the Buffer Grey palette. © 2026 artcyp.com

Second Two Registrations

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Reading of a Dropped Frame, generative plate from seed 3642953942Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3642953942 in the Buffer Grey palette. © 2026 artcyp.com

Reading of a Dropped Frame

Έχει σχεδιαστεί χιλιάδες φορές και δεν άλλαξε ούτε μία.

Late Rain on Limestone, generative plate from seed 318941881Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 318941881 in the Buffer Grey palette. © 2026 artcyp.com

Late Rain on Limestone

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Model of a Held Breath, generative plate from seed 3649880299Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3649880299 in the Buffer Grey palette. © 2026 artcyp.com

Model of a Held Breath

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Survey of Skouriotissa, generative plate from seed 4012519441Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 4012519441 in the Buffer Grey palette. © 2026 artcyp.com

Survey of Skouriotissa

Ο κανόνας είναι πιο σύντομος από αυτή τη συλλογή προτάσεων.

Provisional the Green Line, generative plate from seed 2805352099Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2805352099 in the Buffer Grey palette. © 2026 artcyp.com

Provisional the Green Line

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Second the Salt Crust, generative plate from seed 941499919Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 941499919 in the Buffer Grey palette. © 2026 artcyp.com

Second the Salt Crust

Αυτό δεν πήρε κανένα απόγευμα.

Provisional Six Terraces, generative plate from seed 3068135327Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3068135327 in the Buffer Grey palette. © 2026 artcyp.com

Provisional Six Terraces

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.

Survey of the Venetian Wall, generative plate from seed 947684361Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 947684361 in the Buffer Grey palette. © 2026 artcyp.com

Survey of the Venetian Wall

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Approach to a Held Breath, generative plate from seed 2494401194Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2494401194 in the Buffer Grey palette. © 2026 artcyp.com

Approach to a Held Breath

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Evidence of Varosha, generative plate from seed 1612042841Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1612042841 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of Varosha

Η σειρά των αποφάσεων είναι δεδομένη. Μόνο το βλέμμα είναι ελεύθερο.

Notes on the Ledra Line, generative plate from seed 2261242911One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2261242911 in the Buffer Grey palette. © 2026 artcyp.com

Notes on the Ledra Line

Ένας κανόνας χωρίς άποψη έβγαλε κάτι που δείχνει να κρατά μία.

Reading of a Dry Cistern, generative plate from seed 920598397Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 920598397 in the Buffer Grey palette. © 2026 artcyp.com

Reading of a Dry Cistern

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Study for the Salt Crust, generative plate from seed 1387045015Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1387045015 in the Buffer Grey palette. © 2026 artcyp.com

Study for the Salt Crust

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.

Evidence of the Venetian Wall, generative plate from seed 3735912491Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3735912491 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of the Venetian Wall

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

After the Salt Crust, generative plate from seed 475931065Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 475931065 in the Buffer Grey palette. © 2026 artcyp.com

After the Salt Crust

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Untitled (Varosha), generative plate from seed 2144399750Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2144399750 in the Buffer Grey palette. © 2026 artcyp.com

Untitled (Varosha)

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Crossing at the Ledra Line, generative plate from seed 1567541816Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1567541816 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at the Ledra Line

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Survey of the August Reservoir, generative plate from seed 4237152877Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 4237152877 in the Buffer Grey palette. © 2026 artcyp.com

Survey of the August Reservoir

Αυτό δεν πήρε κανένα απόγευμα.

Study for an Empty Frequency, generative plate from seed 3048769208One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3048769208 in the Buffer Grey palette. © 2026 artcyp.com

Study for an Empty Frequency

Τίποτα δεν απορρίφθηκε στον δρόμο, γιατί τίποτα δεν εξετάστηκε.

Untitled (the August Reservoir), generative plate from seed 2942293587Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2942293587 in the Buffer Grey palette. © 2026 artcyp.com

Untitled (the August Reservoir)

Δεν συντέθηκε. Επιτράπηκε.

Untitled (a Dropped Frame), generative plate from seed 4101121812Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 4101121812 in the Buffer Grey palette. © 2026 artcyp.com

Untitled (a Dropped Frame)

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

After the Salt Crust, generative plate from seed 3758034984Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3758034984 in the Buffer Grey palette. © 2026 artcyp.com

After the Salt Crust

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Approach to the Venetian Wall, generative plate from seed 3792048458One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3792048458 in the Buffer Grey palette. © 2026 artcyp.com

Approach to the Venetian Wall

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Second Akamas, generative plate from seed 294107493Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 294107493 in the Buffer Grey palette. © 2026 artcyp.com

Second Akamas

Κανένα αρχείο αυτού δεν υπάρχει πουθενά, ούτε καν εδώ.

Reading of Rain on Limestone, generative plate from seed 857612764Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 857612764 in the Buffer Grey palette. © 2026 artcyp.com

Reading of Rain on Limestone

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.