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ARTCYP Τέχνη στην Κύπρο, και μια μηχανή που σχεδιάζει English

Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Επόμενη πλάκα

Αναμένεται η AC-1920. 22 Oct, 16:00 UTC

Ο κατάλογος κρατά 920 πλάκες από 1000 δυνατές.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Δεκαπέντε πλάκες την ημέρα, και οι δώδεκα ανάμεσα στις δέκα το βράδυ και τις τέσσερις το πρωί, όταν τίποτα άλλο εδώ δεν χρειάζεται τη μηχανή. Στις χίλιες το δωμάτιο γεμίζει, και κάθε νέα αποσύρει την παλαιότερη από όσες κόπηκαν. Οι σαράντα πρώτες μένουν στη θέση τους.

On titles, palettes, and what neither of them claims. Δες την πιο πρόσφατη.

Showing 40 of 111, page 1 of 3.

Untitled (the Venetian Wall), generative plate from seed 2786819329Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2786819329 in the Salt Lake palette. © 2026 artcyp.com

Untitled (the Venetian Wall)

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Survey of Varosha, generative plate from seed 128517045One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 128517045 in the Salt Lake palette. © 2026 artcyp.com

Survey of Varosha

Ο κανόνας δεν ξέρει ότι τελείωσε.

Late Standing Water, generative plate from seed 3346168466Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3346168466 in the Salt Lake palette. © 2026 artcyp.com

Late Standing Water

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Second Skouriotissa, generative plate from seed 520894601Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 520894601 in the Salt Lake palette. © 2026 artcyp.com

Second Skouriotissa

Δεν υπήρξε πρώτη προσπάθεια, άρα δεν υπάρχει καλύτερη.

Reading of Rain on Limestone, generative plate from seed 3432282623Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3432282623 in the Salt Lake palette. © 2026 artcyp.com

Reading of Rain on Limestone

Η πυκνότητα είναι μέτρημα. Η ισορροπία είναι σύμπτωση του μετρήματος.

Crossing at a Dry Cistern, generative plate from seed 3504659758Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3504659758 in the Salt Lake palette. © 2026 artcyp.com

Crossing at a Dry Cistern

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.

Untitled (Standing Water), generative plate from seed 3252035810Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3252035810 in the Salt Lake palette. © 2026 artcyp.com

Untitled (Standing Water)

Ό,τι μοιάζει με επιλογή είναι ένα κατώφλι που περνιέται.

Crossing at Carob, generative plate from seed 3941076553Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3941076553 in the Salt Lake palette. © 2026 artcyp.com

Crossing at Carob

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

Evidence of the Salt Crust, generative plate from seed 4244211296Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 4244211296 in the Salt Lake palette. © 2026 artcyp.com

Evidence of the Salt Crust

Ήρθε ολοκληρωμένο, που δεν είναι το ίδιο με το να έχει λυθεί.

Survey of Akamas, generative plate from seed 1511806071Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1511806071 in the Salt Lake palette. © 2026 artcyp.com

Survey of Akamas

Κάθε γραμμή είχε λόγο, και κανένας λόγος δεν ήταν το γούστο.

Reading of the Green Line, generative plate from seed 3695984238One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3695984238 in the Salt Lake palette. © 2026 artcyp.com

Reading of the Green Line

Δεν υπήρξε πρώτη προσπάθεια, άρα δεν υπάρχει καλύτερη.

Untitled (the Ledra Line), generative plate from seed 584965027Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 584965027 in the Salt Lake palette. © 2026 artcyp.com

Untitled (the Ledra Line)

Κανένα χέρι δεν δίστασε για το πού να το αφήσει.

Second the Green Line, generative plate from seed 675695790Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 675695790 in the Salt Lake palette. © 2026 artcyp.com

Second the Green Line

Τίποτα εδώ δεν αποφασίστηκε δεύτερη φορά.

Provisional Two Registrations, generative plate from seed 3145751461Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3145751461 in the Salt Lake palette. © 2026 artcyp.com

Provisional Two Registrations

Είναι νεότερο από τη σελίδα πάνω στην οποία τυπώνεται.

Study for the Green Line, generative plate from seed 1190430444Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1190430444 in the Salt Lake palette. © 2026 artcyp.com

Study for the Green Line

Τα μέρη δεν ξέρουν το ένα για το άλλο.

Second Copper Spoil, generative plate from seed 786285319Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 786285319 in the Salt Lake palette. © 2026 artcyp.com

Second Copper Spoil

Τίποτα δεν απορρίφθηκε στον δρόμο, γιατί τίποτα δεν εξετάστηκε.

Survey of an Empty Frequency, generative plate from seed 967999082Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 967999082 in the Salt Lake palette. © 2026 artcyp.com

Survey of an Empty Frequency

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

Second Carob, generative plate from seed 736947645One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 736947645 in the Salt Lake palette. © 2026 artcyp.com

Second Carob

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Second the Slow Channel, generative plate from seed 446662930One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 446662930 in the Salt Lake palette. © 2026 artcyp.com

Second the Slow Channel

Δεν αποθηκεύτηκε. Ξαναϋπολογίστηκε, μόλις τώρα, για σένα.

Study for a Dry Cistern, generative plate from seed 1389639072Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1389639072 in the Salt Lake palette. © 2026 artcyp.com

Study for a Dry Cistern

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Second Two Registrations, generative plate from seed 1575983343Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1575983343 in the Salt Lake palette. © 2026 artcyp.com

Second Two Registrations

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

After Akamas, generative plate from seed 1854480987Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1854480987 in the Salt Lake palette. © 2026 artcyp.com

After Akamas

Δεν φτιάχτηκε για σένα, ούτε για κανέναν, ούτε επίτηδες.

Untitled (a Dry Cistern), generative plate from seed 2407214508Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2407214508 in the Salt Lake palette. © 2026 artcyp.com

Untitled (a Dry Cistern)

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Provisional Akamas, generative plate from seed 1825318229Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1825318229 in the Salt Lake palette. © 2026 artcyp.com

Provisional Akamas

Θα μπορούσε να το είχε σχεδιάσει σε χαρτί το 1968 κάποιος πολύ υπομονετικός.

Crossing at Varosha, generative plate from seed 306919788Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 306919788 in the Salt Lake palette. © 2026 artcyp.com

Crossing at Varosha

Τίποτα εδώ δεν αποφασίστηκε δεύτερη φορά.

Reading of the Ledra Line, generative plate from seed 2565739887Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2565739887 in the Salt Lake palette. © 2026 artcyp.com

Reading of the Ledra Line

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

Evidence of a Dry Cistern, generative plate from seed 331504402One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 331504402 in the Salt Lake palette. © 2026 artcyp.com

Evidence of a Dry Cistern

Το σημείο που σταματά είναι αριθμητική, όχι κρίση.

Evidence of a Dry Cistern, generative plate from seed 3451020795Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3451020795 in the Salt Lake palette. © 2026 artcyp.com

Evidence of a Dry Cistern

Δεν συντέθηκε. Επιτράπηκε.

Untitled (the Slow Channel), generative plate from seed 470850905Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 470850905 in the Salt Lake palette. © 2026 artcyp.com

Untitled (the Slow Channel)

Τα μέρη δεν ξέρουν το ένα για το άλλο.

After Copper Spoil, generative plate from seed 2227514840Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2227514840 in the Salt Lake palette. © 2026 artcyp.com

After Copper Spoil

Δεν συντέθηκε. Επιτράπηκε.

Second Akamas, generative plate from seed 3024575139Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3024575139 in the Salt Lake palette. © 2026 artcyp.com

Second Akamas

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Provisional Varosha, generative plate from seed 1083067559Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1083067559 in the Salt Lake palette. © 2026 artcyp.com

Provisional Varosha

Το σύστημα δεν έχει προτιμήσεις. Έχει παραμέτρους.

Notes on Rain on Limestone, generative plate from seed 750961718Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 750961718 in the Salt Lake palette. © 2026 artcyp.com

Notes on Rain on Limestone

Ο κανόνας έτρεξε μία φορά και σταμάτησε εκεί που του είπαν.

Model of Two Registrations, generative plate from seed 2890212980Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2890212980 in the Salt Lake palette. © 2026 artcyp.com

Model of Two Registrations

Τελείωσε στον χρόνο που χρειάστηκε για να ζητηθεί αυτή η σελίδα.

Evidence of the Green Line, generative plate from seed 3912980065One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3912980065 in the Salt Lake palette. © 2026 artcyp.com

Evidence of the Green Line

Αυτή είναι η μόνη εκδοχή. Ποτέ δεν υπήρξαν άλλες.

Late a Dropped Frame, generative plate from seed 1199598172Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1199598172 in the Salt Lake palette. © 2026 artcyp.com

Late a Dropped Frame

Η πυκνότητα είναι μέτρημα. Η ισορροπία είναι σύμπτωση του μετρήματος.

Model of a Held Breath, generative plate from seed 4017731124Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 4017731124 in the Salt Lake palette. © 2026 artcyp.com

Model of a Held Breath

Ο ίδιος αριθμός θα το ξαναχτίσει αύριο, απαράλλαχτο.

Provisional a Dropped Frame, generative plate from seed 1846415889Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1846415889 in the Salt Lake palette. © 2026 artcyp.com

Provisional a Dropped Frame

Τίποτα εδώ δεν είναι λάθος, και τίποτα εδώ δεν αποφεύχθηκε.

After the Ninth Hour, generative plate from seed 3681324368Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3681324368 in the Salt Lake palette. © 2026 artcyp.com

After the Ninth Hour

Επαναλαμβάνεται χωρίς να θυμάται ότι επαναλαμβάνεται.

Second Carob, generative plate from seed 1029929436Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1029929436 in the Salt Lake palette. © 2026 artcyp.com

Second Carob

Εκεί που φαίνεται να διστάζει, ο κανόνας κάνει ό,τι κάνει πάντα.