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ARTCYP Contemporary art in Cyprus

Catalogue

Forty plates

Forty drawings that nobody remembers making.

Each one begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

On titles, palettes, and what neither of them claims.

Showing 40 of 40.

Untitled (the Venetian Wall), generative plate from seed 3602367494Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 3602367494 in the Kypros Copper palette. © 2026 artcyp.com

Untitled (the Venetian Wall)

Seed 3602367494

Evidence of Akamas, generative plate from seed 2070331000Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2070331000 in the Carob palette. © 2026 artcyp.com

Evidence of Akamas

Seed 2070331000

Approach to Carob, generative plate from seed 139394931Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 139394931 in the Troodos Pine palette. © 2026 artcyp.com

Approach to Carob

Seed 139394931

Approach to Two Registrations, generative plate from seed 3450995351One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3450995351 in the Troodos Pine palette. © 2026 artcyp.com

Approach to Two Registrations

Seed 3450995351

Model of Copper Spoil, generative plate from seed 312855157Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 312855157 in the Buffer Grey palette. © 2026 artcyp.com

Model of Copper Spoil

Seed 312855157

Provisional Akamas, generative plate from seed 2855729700Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2855729700 in the Mesaoria Ochre palette. © 2026 artcyp.com

Provisional Akamas

Seed 2855729700

Late Rain on Limestone, generative plate from seed 3646708942Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3646708942 in the Kypros Copper palette. © 2026 artcyp.com

Late Rain on Limestone

Seed 3646708942

Model of Akamas, generative plate from seed 3574337286Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3574337286 in the Levantine Light palette. © 2026 artcyp.com

Model of Akamas

Seed 3574337286

Provisional Six Terraces, generative plate from seed 1486282752One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 1486282752 in the Mesaoria Ochre palette. © 2026 artcyp.com

Provisional Six Terraces

Seed 1486282752

Model of an Empty Frequency, generative plate from seed 863691154Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 863691154 in the Salt Lake palette. © 2026 artcyp.com

Model of an Empty Frequency

Seed 863691154

Crossing at the August Reservoir, generative plate from seed 4044003280Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 4044003280 in the Kypros Copper palette. © 2026 artcyp.com

Crossing at the August Reservoir

Seed 4044003280

Approach to a Held Breath, generative plate from seed 2333457008Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2333457008 in the Levantine Light palette. © 2026 artcyp.com

Approach to a Held Breath

Seed 2333457008

Crossing at a Dry Cistern, generative plate from seed 992862353Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 992862353 in the Akamas Thyme palette. © 2026 artcyp.com

Crossing at a Dry Cistern

Seed 992862353

Reading of the Green Line, generative plate from seed 957968586One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 957968586 in the Buffer Grey palette. © 2026 artcyp.com

Reading of the Green Line

Seed 957968586

Model of Copper Spoil, generative plate from seed 2211400684Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2211400684 in the Mesaoria Ochre palette. © 2026 artcyp.com

Model of Copper Spoil

Seed 2211400684

Evidence of Varosha, generative plate from seed 1611474987Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1611474987 in the Levantine Light palette. © 2026 artcyp.com

Evidence of Varosha

Seed 1611474987

After an Empty Frequency, generative plate from seed 1230681110Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1230681110 in the Akamas Thyme palette. © 2026 artcyp.com

After an Empty Frequency

Seed 1230681110

Approach to the Slow Channel, generative plate from seed 550812081Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 550812081 in the Salt Lake palette. © 2026 artcyp.com

Approach to the Slow Channel

Seed 550812081

Study for the August Reservoir, generative plate from seed 4241219425One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 4241219425 in the Carob palette. © 2026 artcyp.com

Study for the August Reservoir

Seed 4241219425

After the Venetian Wall, generative plate from seed 1029507172Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1029507172 in the Salt Lake palette. © 2026 artcyp.com

After the Venetian Wall

Seed 1029507172

Evidence of a Held Breath, generative plate from seed 982634343Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 982634343 in the Kypros Copper palette. © 2026 artcyp.com

Evidence of a Held Breath

Seed 982634343

After a Dry Cistern, generative plate from seed 183386908Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 183386908 in the Mesaoria Ochre palette. © 2026 artcyp.com

After a Dry Cistern

Seed 183386908

Crossing at the Ninth Hour, generative plate from seed 619467694Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 619467694 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at the Ninth Hour

Seed 619467694

Provisional Six Terraces, generative plate from seed 800845677One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 800845677 in the Levantine Light palette. © 2026 artcyp.com

Provisional Six Terraces

Seed 800845677

Provisional a Dry Cistern, generative plate from seed 3801218007Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3801218007 in the Levantine Light palette. © 2026 artcyp.com

Provisional a Dry Cistern

Seed 3801218007

Late Akamas, generative plate from seed 1242997200Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1242997200 in the Carob palette. © 2026 artcyp.com

Late Akamas

Seed 1242997200

Late Standing Water, generative plate from seed 2774806668Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2774806668 in the Carob palette. © 2026 artcyp.com

Late Standing Water

Seed 2774806668

Untitled (a Dry Cistern), generative plate from seed 2858839438Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 2858839438 in the Akamas Thyme palette. © 2026 artcyp.com

Untitled (a Dry Cistern)

Seed 2858839438

Crossing at the Slow Channel, generative plate from seed 253878999One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 253878999 in the Akamas Thyme palette. © 2026 artcyp.com

Crossing at the Slow Channel

Seed 253878999

Crossing at a Held Breath, generative plate from seed 1739452319Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1739452319 in the Buffer Grey palette. © 2026 artcyp.com

Crossing at a Held Breath

Seed 1739452319

Crossing at Six Terraces, generative plate from seed 4075211892Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 4075211892 in the Kypros Copper palette. © 2026 artcyp.com

Crossing at Six Terraces

Seed 4075211892

Survey of a Dropped Frame, generative plate from seed 1167852592Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1167852592 in the Carob palette. © 2026 artcyp.com

Survey of a Dropped Frame

Seed 1167852592

Evidence of a Dry Cistern, generative plate from seed 281731964Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 281731964 in the Salt Lake palette. © 2026 artcyp.com

Evidence of a Dry Cistern

Seed 281731964

Study for Rain on Limestone, generative plate from seed 530933394One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 530933394 in the Kyrenia Blue palette. © 2026 artcyp.com

Study for Rain on Limestone

Seed 530933394

Model of the Ledra Line, generative plate from seed 1388706329Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1388706329 in the Kypros Copper palette. © 2026 artcyp.com

Model of the Ledra Line

Seed 1388706329

Model of the Green Line, generative plate from seed 891105515Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 891105515 in the Kyrenia Blue palette. © 2026 artcyp.com

Model of the Green Line

Seed 891105515

Evidence of the Slow Channel, generative plate from seed 2919223183Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 2919223183 in the Buffer Grey palette. © 2026 artcyp.com

Evidence of the Slow Channel

Seed 2919223183

Evidence of Akamas, generative plate from seed 3131665235Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3131665235 in the Kyrenia Blue palette. © 2026 artcyp.com

Evidence of Akamas

Seed 3131665235

After Copper Spoil, generative plate from seed 1836377774One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 1836377774 in the Salt Lake palette. © 2026 artcyp.com

After Copper Spoil

Seed 1836377774

Survey of a Dropped Frame, generative plate from seed 542097608Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 542097608 in the Kypros Copper palette. © 2026 artcyp.com

Survey of a Dropped Frame

Seed 542097608