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Catalogue

It draws all night

Nobody remembers making any of these, because nobody made any of these.

Twelve of the fifteen daily plates arrive between ten at night and four in the morning, when the machine has the place to itself.

Next plate

AC-1920 is due. 22 Oct, 16:00 UTC

The catalogue is holding 920 plates of a possible 1000.

Each plate begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

Fifteen plates a day, and twelve of them between ten at night and four in the morning, when nothing else here wants the machine. At a thousand the room is full, and each new one retires the oldest of the minted plates. The founding forty stay where they are.

On titles, palettes, and what neither of them claims. See the most recent one.

Showing 40 of 107, page 2 of 3.

After a Dropped Frame, generative plate from seed 2420281033Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2420281033 in the Carob palette. © 2026 artcyp.com

After a Dropped Frame

AC-1570 · flow · Carob

It was not composed so much as permitted.

Untitled (the Green Line), generative plate from seed 1874281283Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1874281283 in the Carob palette. © 2026 artcyp.com

Untitled (the Green Line)

AC-1561 · strata · Carob

This took no afternoon.

Crossing at an Empty Frequency, generative plate from seed 3418277270Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3418277270 in the Carob palette. © 2026 artcyp.com

Crossing at an Empty Frequency

AC-1552 · moire · Carob

Nothing here is a mistake, and nothing here was avoided.

Reading of an Empty Frequency, generative plate from seed 993089565Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 993089565 in the Carob palette. © 2026 artcyp.com

Reading of an Empty Frequency

AC-1551 · strata · Carob

It arrived complete, which is not the same as arriving resolved.

Approach to Rain on Limestone, generative plate from seed 1027005004Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 1027005004 in the Carob palette. © 2026 artcyp.com

Approach to Rain on Limestone

AC-1544 · bloom · Carob

It could have been drawn on paper in 1968 by somebody very patient.

Evidence of the Venetian Wall, generative plate from seed 3072391890Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3072391890 in the Carob palette. © 2026 artcyp.com

Evidence of the Venetian Wall

AC-1541 · strata · Carob

The system has no preferences. It has parameters.

Reading of Skouriotissa, generative plate from seed 963653536One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 963653536 in the Carob palette. © 2026 artcyp.com

Reading of Skouriotissa

AC-1538 · lattice · Carob

No file of this exists anywhere, including here.

Late Six Terraces, generative plate from seed 2703446859Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2703446859 in the Carob palette. © 2026 artcyp.com

Late Six Terraces

AC-1535 · flow · Carob

This took no afternoon.

Crossing at a Dry Cistern, generative plate from seed 3412383429Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3412383429 in the Carob palette. © 2026 artcyp.com

Crossing at a Dry Cistern

AC-1526 · strata · Carob

It could have been drawn on paper in 1968 by somebody very patient.

Survey of the August Reservoir, generative plate from seed 1596799060Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1596799060 in the Carob palette. © 2026 artcyp.com

Survey of the August Reservoir

AC-1496 · strata · Carob

It is younger than the page it is printed on.

Untitled (Rain on Limestone), generative plate from seed 4249223919Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 4249223919 in the Carob palette. © 2026 artcyp.com

Untitled (Rain on Limestone)

AC-1494 · bloom · Carob

It was not composed so much as permitted.

Reading of the Green Line, generative plate from seed 1793641670One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 1793641670 in the Carob palette. © 2026 artcyp.com

Reading of the Green Line

AC-1493 · lattice · Carob

It finished in the time it took to ask for this page.

After Standing Water, generative plate from seed 3044958093Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3044958093 in the Carob palette. © 2026 artcyp.com

After Standing Water

AC-1492 · moire · Carob

Nothing here was decided twice.

Notes on a Dry Cistern, generative plate from seed 2622478603One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2622478603 in the Carob palette. © 2026 artcyp.com

Notes on a Dry Cistern

AC-1488 · lattice · Carob

It repeats without remembering that it is repeating.

Notes on Akamas, generative plate from seed 199483387Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 199483387 in the Carob palette. © 2026 artcyp.com

Notes on Akamas

AC-1462 · moire · Carob

It could have been drawn on paper in 1968 by somebody very patient.

Late the Ninth Hour, generative plate from seed 14332010One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 14332010 in the Carob palette. © 2026 artcyp.com

Late the Ninth Hour

AC-1458 · lattice · Carob

The drawing exists for as long as you are looking at it.

Late Rain on Limestone, generative plate from seed 3585407584Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3585407584 in the Carob palette. © 2026 artcyp.com

Late Rain on Limestone

AC-1457 · moire · Carob

The order of the decisions is fixed. Only the looking is loose.

Crossing at the Ledra Line, generative plate from seed 4255890450Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 4255890450 in the Carob palette. © 2026 artcyp.com

Crossing at the Ledra Line

AC-1447 · moire · Carob

It is younger than the page it is printed on.

Model of the Green Line, generative plate from seed 3164522433Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 3164522433 in the Carob palette. © 2026 artcyp.com

Model of the Green Line

AC-1446 · strata · Carob

The density is a count. The balance is an accident of the count.

Evidence of a Dropped Frame, generative plate from seed 1278263202Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1278263202 in the Carob palette. © 2026 artcyp.com

Evidence of a Dropped Frame

AC-1445 · flow · Carob

The same number will build it again tomorrow, exactly.

After a Dry Cistern, generative plate from seed 224267874Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 224267874 in the Carob palette. © 2026 artcyp.com

After a Dry Cistern

AC-1399 · bloom · Carob

The parts do not know about each other.

Provisional Skouriotissa, generative plate from seed 1326473262Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1326473262 in the Carob palette. © 2026 artcyp.com

Provisional Skouriotissa

AC-1377 · moire · Carob

The same number will build it again tomorrow, exactly.

Survey of the Green Line, generative plate from seed 286824532Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 286824532 in the Carob palette. © 2026 artcyp.com

Survey of the Green Line

AC-1374 · bloom · Carob

It has been drawn thousands of times and has never once varied.

Reading of an Empty Frequency, generative plate from seed 2433314923One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2433314923 in the Carob palette. © 2026 artcyp.com

Reading of an Empty Frequency

AC-1368 · lattice · Carob

This is the only version. There were never any others.

Survey of Copper Spoil, generative plate from seed 2335847213Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2335847213 in the Carob palette. © 2026 artcyp.com

Survey of Copper Spoil

AC-1360 · flow · Carob

Nothing here was decided twice.

Provisional an Empty Frequency, generative plate from seed 4079789776Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 4079789776 in the Carob palette. © 2026 artcyp.com

Provisional an Empty Frequency

AC-1357 · moire · Carob

There was no first attempt, so there is no better one.

Second Akamas, generative plate from seed 3685203447Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3685203447 in the Carob palette. © 2026 artcyp.com

Second Akamas

AC-1352 · moire · Carob

The rule ran once and stopped where it was told to stop.

Model of a Held Breath, generative plate from seed 2923237477Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 2923237477 in the Carob palette. © 2026 artcyp.com

Model of a Held Breath

AC-1345 · flow · Carob

A rule with no opinion produced something that appears to hold one.

Approach to the Ninth Hour, generative plate from seed 3120897729Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 3120897729 in the Carob palette. © 2026 artcyp.com

Approach to the Ninth Hour

AC-1344 · bloom · Carob

It finished in the time it took to ask for this page.

Provisional Two Registrations, generative plate from seed 705777257One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 705777257 in the Carob palette. © 2026 artcyp.com

Provisional Two Registrations

AC-1343 · lattice · Carob

A rule with no opinion produced something that appears to hold one.

Crossing at the Ledra Line, generative plate from seed 69065370Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 69065370 in the Carob palette. © 2026 artcyp.com

Crossing at the Ledra Line

AC-1340 · flow · Carob

Where it seems to hesitate, that is the rule doing what it always does.

Late Skouriotissa, generative plate from seed 3796569457Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 3796569457 in the Carob palette. © 2026 artcyp.com

Late Skouriotissa

AC-1327 · moire · Carob

It could have been drawn on paper in 1968 by somebody very patient.

Reading of the Ninth Hour, generative plate from seed 2240899879Nine centres, each emitting 34 closed rings whose radius grows as the 0.7 power of the ring index, so the spacing tightens as they widen. Each ring is a thirty-segment polygon pushed off true by a sinusoid whose amplitude grows with the index, and both stroke weight and opacity fall away as the rings get larger. This plate is seed 2240899879 in the Carob palette. © 2026 artcyp.com

Reading of the Ninth Hour

AC-1324 · bloom · Carob

The stopping point was arithmetic, not judgement.

Reading of the Venetian Wall, generative plate from seed 2955485056One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 2955485056 in the Carob palette. © 2026 artcyp.com

Reading of the Venetian Wall

AC-1308 · lattice · Carob

The same number will build it again tomorrow, exactly.

Untitled (Skouriotissa), generative plate from seed 1637892691Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 1637892691 in the Carob palette. © 2026 artcyp.com

Untitled (Skouriotissa)

AC-1307 · moire · Carob

Nothing was rejected on the way here, because nothing was considered.

Evidence of a Dropped Frame, generative plate from seed 590209726One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 590209726 in the Carob palette. © 2026 artcyp.com

Evidence of a Dropped Frame

AC-1283 · lattice · Carob

The same number will build it again tomorrow, exactly.

Untitled (the August Reservoir), generative plate from seed 591421936Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 591421936 in the Carob palette. © 2026 artcyp.com

Untitled (the August Reservoir)

AC-1277 · moire · Carob

It was not made for you, or for anyone, or on purpose.

Untitled (Standing Water), generative plate from seed 1400986332Forty-six bands stacked from the top down, each one a closed shape lying between two sine curves of differing amplitude, frequency and phase. The bands overlap, because each advances the cursor by only 62% of its own height. About one band in six is filled in an accent at higher opacity than the rest; the stack stops early if it runs past the bottom edge. This plate is seed 1400986332 in the Carob palette. © 2026 artcyp.com

Untitled (Standing Water)

AC-1271 · strata · Carob

The parts do not know about each other.

Model of Two Registrations, generative plate from seed 904764167Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 904764167 in the Carob palette. © 2026 artcyp.com

Model of Two Registrations

AC-1260 · flow · Carob

It finished in the time it took to ask for this page.

Late the Salt Crust, generative plate from seed 1159075093Streamlines through a fixed vector field. Each of 220 lines starts at a random point and takes 110 steps of five units, turning at every step by the sum of three sinusoids of its current position. A line stops early if it leaves the plate. Roughly one line in seven is drawn in an accent rather than the ink colour, and each is given its own width and opacity. This plate is seed 1159075093 in the Carob palette. © 2026 artcyp.com

Late the Salt Crust

AC-1255 · flow · Carob

It was not composed so much as permitted.