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ARTCYP Contemporary art in Cyprus

Catalogue

Forty plates

Forty drawings that nobody remembers making.

Each one begins as a single number and ends as something that looks decided. Between those two facts there is no studio, no afternoon, no hand hesitating over where to stop.

Only the unfolding, which happens the same way every time, for anyone who asks, and leaves nothing behind when you look away. Ask whether that counts as art and the plates will not help you. They go on resolving either way.

On titles, palettes, and what neither of them claims.

Showing 2 of 40.

Approach to Carob, generative plate from seed 139394931Three grids of parallel lines drawn over one another and rotated about the centre: one at zero, one at a small angle between 1.2 and 7.2 degrees, and a third at a negative fraction of that angle in an accent colour. The interference figure is never drawn. It is what your eye does with three grids that do not quite agree. This plate is seed 139394931 in the Troodos Pine palette. © 2026 artcyp.com

Approach to Carob

Seed 139394931

Approach to Two Registrations, generative plate from seed 3450995351One rectangle divided recursively. At each node the split usually runs across the longer side, at a ratio between 0.3 and 0.7. Division stops at depth eight, below 34 units, or on a 7% chance at any node. Every surviving cell is stroked with an inset, about one in five in an accent, and about one in ten also takes a translucent accent fill. This plate is seed 3450995351 in the Troodos Pine palette. © 2026 artcyp.com

Approach to Two Registrations

Seed 3450995351